Musiq Soulchild is highly potential and has a high caliber for providing the best kind of music for different types of people who adobe and respect his music and songs. This has led to a high accumulation of Musiq Soulchild’s net worth. Musiq Soulchild’s net worth is a blend of his work as a singer and songwriter and his commercial work.
Musiq Soulchild earned 32000 dollars monthly, and his annual income was 400000 dollars. Musiq Soulchild was paid 8000 dollars every week. Musiq Soulchild’s net worth is estimated to be 12 million dollars. His style incorporates R&B, funk, blues, jazz, gospel, and hip-hop influences. For anyone who can't get enough of Johnson's light grooves and graceful hooks, teasing out the gems should be worth the effort.Musiq Soulchild is a singer and songwriter who belongs to America. In the intro to "The Moon," which really should be the finale, Neil deGrasse Tyson is so into dropping science that he sounds like he's about to break from script and launch into "You Are My Starship." These songs and a few others add up to 40 minutes of standouts amid a greater amount of uniformly adequate - never poor - material. He directly addresses a lover - potential, long-term, departing - convincing her to take it to the next level on the gliding "Benefits" (like a more aggressive "Just Friends"), pressing reset on the early-'70s throwback "Start Over," and praising her generosity on "Fact of Love." Marsha Ambrosius contributes the opening title song, a coasting/bobbing highlight. Johnson's lyrical approach is likewise focused. A couple booming trap-styled diversions and a flashy band-oriented section in "Sooner or Later" aside, Feel the Real isn't particularly indulgent, tending to stay in the Musiq Soulchild comfort zone. Though that might seem like more stitch-work than what's displayed on the cover, Feel the Real is uncommonly steady for a double album, consisting mostly of midtempo hip-hop soul productions with Johnson's dependably easygoing yet heartfelt vocal technique. This combines fresh material created following the 2016 release with a touched-up backlog of tracks written during the previous few years. Increased song quantity and credits length aren't the only details that differentiate Feel the Real from the preceding album. Just a year and a half after Taalib Johnson released the Warryn Campbell collaboration Life on Earth, he delivered 24 songs - nearly 100 minutes' worth of material - this time recorded with almost a dozen mostly new production associates.
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